CV
Education
2010 BA in Photocommunications with a minor in Art History, St. Edward’s University, Austin, Texas
Professional Experience
2017 - present, Associate Director, Texas State University Galleries, San Marcos, TX
2014 - present, Art Handler, Austin, TX
2024, Interim Director, Texas State University Galleries, San Marcos, TX
2020/2021, Special Project Coordinator, Deborah Roberts Studio, Austin, TX
2018/2019 - Stage Manager, Janine Antoni's "Paper Dance" performances and retrospective, The Contemporary Austin, Austin, TX
2015 - 2019, Co-founder + Co-editor, Conflict of Interest, Austin, TX
2013 - 2017, Gallery Director, Pump Project, Austin, TX
2010 - 2013, Gallery Coordinator, Flex Space, Austin, TX
Solo Exhibitions
2026, Dogsbody is Dead: Do Your Thighs Feel Heavy?, Casa Pink, San Antonio, TX
2025, Twenty-Four Cakes, Mercury Project, San Antonio, TX
2024, Window Dressing XXXV: Dogsbody is Dead, ICOSA, Austin, TX
2017, A Testament to Their Fortitude, the Museum of Pocket Art, Austin, TX
2016, The Best Available Evidence, Art Palace, Houston, TX
2016, The Best Available Evidence, grayDUCK Gallery, Austin, TX
Selected Group Exhibitions
2026, Semicentennial Breakdown, ICOSA, Austin, TX
2025, Form Works, Women and Their Work, Austin, TX
2025, Dog Days, DORF Gallery, Austin, TX
2024, Solar / Lunar, ARTSPACE, Wimberley, TX
2022, Isolated Incident, Shed Shows, Austin, TX
2021, Crit Group Reunion Chapter II : Facing Eachother, The Contemporary Austin, Austin, TX
2021, A Wished for and Welcome Guest, Co-Lab Projects, Austin, TX
2019, Fantastic Arcade (Retro)spective, Museum of Human Achievement, Austin, TX
2019, Le Vrai du Faux, Art Souterrain, Montreal, Quebec
2018, Primitivo Fallido, Los 14, Mexico City, Mexico
2017, Staycation, Mass Gallery, Austin, TX
2017, Good Mourning Tis' of Thee, Co-Lab Projects, Austin, TX
2016, Extraction presented by Future Tongue, Los Angeles, CA
2016, Art of the Brew, Co-Lab Projects, Austin, TX
2016, The Honesty of Rocks presented by The Contemporary Austin, grayDUCK Gallery, Austin, TX
2016, Magic the Gallery, Austin, TX
2015, Mobile Theatre Device (Edited for Television) with Sean Ripple, St. Edward’s University, Austin, TX
2015, Art of the Brew, Co-Lab Projects, Austin, TX
2015, Magic the Gallery, Austin, TX
2014, Art of the Brew, Co-Lab Projects, Austin, TX
2013, A Catalogue, Tiny Park, Austin, TX
2013, Field Collision (with Dave Culpepper and Andrew McCloskey), Flex Space, Austin, TX, Included in the Austin Chronicle’s “Top 10 of Austin’s Visual Art 2013,” nominated for Best Group Gallery Exhibition by the Austin Critics' Table Awards 2013-14
2011, From Specifics, From Concrete Evidence, From Things (with Adam Boley and Megan Carney), Pump Project, Austin, TX
2010, Works on Paper, Salvage Vangaurd Theater, Austin, TX
2010, TX National 2010; juried by artist Judy Pfaff, The Cole Art Center @ The Old Opera House, Nacogdoches, TX
2010, TASA Juried Exhibition; juried by artist and writer Eric Zimmerman, Honorable Mention Winner, Fine Arts Gallery, Austin, TX
2010, Twenty-Two, Fine Arts Gallery, St. Edward’s University, Austin, Texas
2010, Student Juried Exhibition; juried by Andrea Mellard (Assistant Curator at Austin Museum of Art), Second Place Winner, Fine Arts Gallery, St. Edward’s University, Austin, Texas
2009, With Regards (with Adam Boley and Megan Carney), Fine Arts Gallery, St. Edward’s University, Austin, Texas
2009, I Think I Look Like Me, Birdhouse Gallery, Austin, Texas
Publications
2026, Gulf Coast Journal, Winter/Spring 2026, Vol. 38, Issue 1
2017, Newfound Journal, Vol. 8, Other Worlds
2010, Fan the Fire Magazine, Issue #38
2009, Cantanker (Future Tense, Issue 9)
Press
2025, Frank, Nicholas, "Mothering in Art: A Study in Contrasts & Care," Glasstire, September 13.
2021, Faires, Robert, "A Wished for and Welcome Guest at Co-Lab Projects," The Austin Chronicle, April 23.
2017, Burgess, Jessica, "Rebecca Marino," Future Tongue, January 11.
2016, Mednicov, Melissa, “Rebecca Marino: The Best Available Evidence,” Glasstire, August 8.
2016, Knudson, Rainey + Zech, Brandon, “Top Five: August 4, 2016,” Glasstire, August 4.
2016, Arnold, H.C., "Rebecca Marino: The Best Available Evidence" at Grayduck Gallery, The Austin Chronicle, April 22.
2016, Smart, Jennifer, "The A+C Top Ten: April 2016," Texas Arts and Culture, April 11.
2016, Dandashi, Dahlia, "Art Pick | The Best Available Evidence: Rebecca Marino," Tribeza, April 1.
2016, Greenwood, Caitlin, "The Best Available Evidence," Texas Arts and Culture, March 24.
2014, Schwaiger, Seth, “Tiny Park: A Catalogue,” Glasstire, January 13.
2013, Greenwood, Caitlin, “Field Collision: David Culpepper, Rebecca Marino, and Andrew McCloskey,” The Austin Chronicle, October 4.
2011, Brenner Wayne, “From Specifics, From Concrete Evidence, From Things,” The Austin Chronicle, September 2.
Education
2010 BA in Photocommunications with a minor in Art History, St. Edward’s University, Austin, Texas
Professional Experience
2017 - present, Associate Director, Texas State University Galleries, San Marcos, TX
2014 - present, Art Handler, Austin, TX
2024, Interim Director, Texas State University Galleries, San Marcos, TX
2020/2021, Special Project Coordinator, Deborah Roberts Studio, Austin, TX
2018/2019 - Stage Manager, Janine Antoni's "Paper Dance" performances and retrospective, The Contemporary Austin, Austin, TX
2015 - 2019, Co-founder + Co-editor, Conflict of Interest, Austin, TX
2013 - 2017, Gallery Director, Pump Project, Austin, TX
2010 - 2013, Gallery Coordinator, Flex Space, Austin, TX
Solo Exhibitions
2026, Dogsbody is Dead: Do Your Thighs Feel Heavy?, Casa Pink, San Antonio, TX
2025, Twenty-Four Cakes, Mercury Project, San Antonio, TX
2024, Window Dressing XXXV: Dogsbody is Dead, ICOSA, Austin, TX
2017, A Testament to Their Fortitude, the Museum of Pocket Art, Austin, TX
2016, The Best Available Evidence, Art Palace, Houston, TX
2016, The Best Available Evidence, grayDUCK Gallery, Austin, TX
Selected Group Exhibitions
2026, Semicentennial Breakdown, ICOSA, Austin, TX
2025, Form Works, Women and Their Work, Austin, TX
2025, Dog Days, DORF Gallery, Austin, TX
2024, Solar / Lunar, ARTSPACE, Wimberley, TX
2022, Isolated Incident, Shed Shows, Austin, TX
2021, Crit Group Reunion Chapter II : Facing Eachother, The Contemporary Austin, Austin, TX
2021, A Wished for and Welcome Guest, Co-Lab Projects, Austin, TX
2019, Fantastic Arcade (Retro)spective, Museum of Human Achievement, Austin, TX
2019, Le Vrai du Faux, Art Souterrain, Montreal, Quebec
2018, Primitivo Fallido, Los 14, Mexico City, Mexico
2017, Staycation, Mass Gallery, Austin, TX
2017, Good Mourning Tis' of Thee, Co-Lab Projects, Austin, TX
2016, Extraction presented by Future Tongue, Los Angeles, CA
2016, Art of the Brew, Co-Lab Projects, Austin, TX
2016, The Honesty of Rocks presented by The Contemporary Austin, grayDUCK Gallery, Austin, TX
2016, Magic the Gallery, Austin, TX
2015, Mobile Theatre Device (Edited for Television) with Sean Ripple, St. Edward’s University, Austin, TX
2015, Art of the Brew, Co-Lab Projects, Austin, TX
2015, Magic the Gallery, Austin, TX
2014, Art of the Brew, Co-Lab Projects, Austin, TX
2013, A Catalogue, Tiny Park, Austin, TX
2013, Field Collision (with Dave Culpepper and Andrew McCloskey), Flex Space, Austin, TX, Included in the Austin Chronicle’s “Top 10 of Austin’s Visual Art 2013,” nominated for Best Group Gallery Exhibition by the Austin Critics' Table Awards 2013-14
2011, From Specifics, From Concrete Evidence, From Things (with Adam Boley and Megan Carney), Pump Project, Austin, TX
2010, Works on Paper, Salvage Vangaurd Theater, Austin, TX
2010, TX National 2010; juried by artist Judy Pfaff, The Cole Art Center @ The Old Opera House, Nacogdoches, TX
2010, TASA Juried Exhibition; juried by artist and writer Eric Zimmerman, Honorable Mention Winner, Fine Arts Gallery, Austin, TX
2010, Twenty-Two, Fine Arts Gallery, St. Edward’s University, Austin, Texas
2010, Student Juried Exhibition; juried by Andrea Mellard (Assistant Curator at Austin Museum of Art), Second Place Winner, Fine Arts Gallery, St. Edward’s University, Austin, Texas
2009, With Regards (with Adam Boley and Megan Carney), Fine Arts Gallery, St. Edward’s University, Austin, Texas
2009, I Think I Look Like Me, Birdhouse Gallery, Austin, Texas
Publications
2026, Gulf Coast Journal, Winter/Spring 2026, Vol. 38, Issue 1
2017, Newfound Journal, Vol. 8, Other Worlds
2010, Fan the Fire Magazine, Issue #38
2009, Cantanker (Future Tense, Issue 9)
Press
2025, Frank, Nicholas, "Mothering in Art: A Study in Contrasts & Care," Glasstire, September 13.
2021, Faires, Robert, "A Wished for and Welcome Guest at Co-Lab Projects," The Austin Chronicle, April 23.
2017, Burgess, Jessica, "Rebecca Marino," Future Tongue, January 11.
2016, Mednicov, Melissa, “Rebecca Marino: The Best Available Evidence,” Glasstire, August 8.
2016, Knudson, Rainey + Zech, Brandon, “Top Five: August 4, 2016,” Glasstire, August 4.
2016, Arnold, H.C., "Rebecca Marino: The Best Available Evidence" at Grayduck Gallery, The Austin Chronicle, April 22.
2016, Smart, Jennifer, "The A+C Top Ten: April 2016," Texas Arts and Culture, April 11.
2016, Dandashi, Dahlia, "Art Pick | The Best Available Evidence: Rebecca Marino," Tribeza, April 1.
2016, Greenwood, Caitlin, "The Best Available Evidence," Texas Arts and Culture, March 24.
2014, Schwaiger, Seth, “Tiny Park: A Catalogue,” Glasstire, January 13.
2013, Greenwood, Caitlin, “Field Collision: David Culpepper, Rebecca Marino, and Andrew McCloskey,” The Austin Chronicle, October 4.
2011, Brenner Wayne, “From Specifics, From Concrete Evidence, From Things,” The Austin Chronicle, September 2.